Painting sunlight

"Falling Water" 18x24 Oil

Every season our family spends time in New Hampshire. As a child it was summers at the lake with friends and skiing on vacations and weekends. In 1978, I bought a timeshare and we now go up in the fall and spring as well. Activities have expanded over the years with painting becoming a favorite. Hiking the woods and White Mountains I have encountered so many new painting spots that I couldn't possibly paint them all. The one thing that always captures my attention is the light. It changes the landscape by the minute as it filters in in the morning, dances through the trees and across the snow, hills and water during the day,  creates dramatic skies at dusk and a calming darkness at night. Consistent in the woodland streams are rocky paths cut through the land by rushing water, downed branches that gather along the edges and transparent pools that reveal the bed of the streams concealed elsewhere by white foam and deep dark pools of water.
What attracted me here was the serpentine curve of the stream that created rhythmic patterns of light and dark. The reddish tone of the rocks, pine needles and reflected light compliments the greens of the lush woods. The birches are quintessential NH. This painting represents the feeling I get when walking through the wooded landscape of NH.

I began with an underpainting of transparent red oxide to establish values and  composition. I wanted  to give a warmth that could show through in the final painting. I used underpainting white to establish the flow of the water. After that dried, I blocked in large areas using local color establishing some dark transparent layers first. The painting was built up with a number of layers finding areas to suggest rock forms under the rushing water and illuminating other areas with bright light to bring the viewers eye through the woods and down the stream.

Plein air painting

"On the Rocks"  9x12  oil/2016

 New England weather isn't always cooperative for plein air painting. Some days, however, are perfect and 4th of July was one of those days. There was a clear blue sky, little wind, and it was warm and sunny. We were heading up to North Woodstock, NH for fireworks so decided to go up early and do a little painting. With no clouds, I sought out a spot where there would be shade and shadow patterns. There is access there  to the Pemigewassit River with all of it's  massive rocks, birches and water patterns; just what I wanted. I set up to paint and my husband went over to sit on a rock and read while he waited for me. When I glanced over and saw him sitting there, I knew he would be my subject that day. The colors and composition worked really well without too many modifications. After a quick thumbnail, I worked fast blocking in the value patterns. I knew I would have to settle on a light pattern since the sun angle would be moving and changing while I worked.  I jotted that into my sketchbook. It was a really busy spot with a lot of people swimming in the river. I decided to leave them all out, although many of them came over to chat and watch me paint. So many young kids stood around me that I almost felt like I was back in my classroom giving a demo again. I spent two hours painting and then packed up to leave. My friend, who was downstream painting, came up and we discovered we had both been painting Stu that day. My friend's  painting was from the opposite bank, showing Stu from the back and in the distance. I plan to go back and paint the river another time. I love doing figures in the landscape, but don't often have a "model" willing to sit still for me. For me, getting outdoors to paint is really special and plein air is my favorite kind of painting. I love it!