Ellen Little's Paintings
Wednesday, December 17, 2025
San Francisco-cable cars, Alcatraz and the Golden Gate bridge
This 16 X 20 oil painting preserves a memory from our July trip to San Francisco for our daughter's and new son-in-law's wedding reception. We stayed at the Mark Hopkins hotel right up the street from this intersection. From here we took the cable car to the waterfront. The view includes the bay, the bridge, Alcatrz, the hill and the cable cars. I knew this was a spot I wanted to paint! When there were 2 cars I quickly snapped a photo (hoping not to get run over). The cars were always stuffed with passengers and it took several coming to the stop to get up in line far enough to board. I wanted to give the sense of overflowing cars, beautiful weather and the feel of the city. I eliminated a buiding and some of the complex details on them to keep the focus on the cars and to make the composition work. The flags on the building add color help lead the viewer into the scene. Given the dark days we are experiencing in 2025, I chose a high key palette to brighten up the painting and the mood. Our family time together on this trip is a memory I want to preserve. I love San Francisco.
Cousins
James and Emerson are cousins, born 2 months apart. They are inseparable. I did a painting of the two of them running by the Lake in Dillon, Colorado. ( see my April, 2024 post). With both boys in the painting I couldn't decide who should have it so I gave the painting to my brother who is their grandfather. My brother and his wife care for them while the parents work. The family is incredibly close both in proximity and relationships. Then I realized I should probably do a painting of each of the boys for my neice and my nephew. On the right is James out with his parents on a hike in the Rockies. Below is Emerson. His parents opened their restaurant, Wildflower BBQ last year, so I decided to put Emerson in the wildflowers. He loves to help my brother in the gardens. Each setting was chosen to reflect the boys in their natural settings.
The paintings now reside in Colorado.
Sunday, April 20, 2025
Memories preserved at TIMBER COVE
Saturday, July 6, 2024
ELO and her Cello
My granddaughter got to choose an instrument to play when she was in 4th grade.SHe pondered the choice for some time, explored her options and finally settled on the cello. The day she got her cello, she sat on her bed just hugging it. It was cello love.
I like to paint special moments in her life and have been trying to do one each year. This painting is her 2024 version.
I strayed from my usual style somewhat creating an abstract background and a splash of blue on the cello where the rflection was to lead the eye connecting her to the cello. I pushed the warmth of the cello and the shirt color to harmonize with the blues. I like the tilt of the instrument tying together the angles of her arms and legs as they encompassed her new love. I learned that painting a head tilted at an angle is much more difficult than one that is upright. She was delighted when I gave her the painting.
"Cheers-How do you like your Bookers?"
It was a commission conundrum.
My former brother-in-law's request to paint a Christmas present for his son left me free to choose the subject matter. I was baffled as to what to pick. I hadn't seen him since he was 2 years old. What I knew, I learned from my daughter and Facebook. I knew he had bartended and worked in the liquor industry.
When thinking about what to paint for him, I flashed back to my daughter's 3rd birthday: there he was scooping the frosting off her cake before we even lit the candles. She was a little perplexed and the rest of us were cracking up laughing.
I figured he loved a party then and from what I could tell that hadn’t changed-so “Cheers-how do you like your Bookers?” is my painting for him.
I was figuring out my set up to paint with one of our go to favorites-Bookers**, when my son suggested I use the Mad Men glasses. I agreed they were more fun than the cut glass I had originally put there, so the idea was a bit of a collaboration. The orange is in case you'd like a Manhattan, but also to create a bit of color harmony.
I hope he enjoys his painting.
An unusual commission
When I was trying to decide what to paint, I wanted to have two paintings that were completely different but definitely and completely connected, because that is how I always think of the twins.
My thoughts of times shared at the Brewster house seemed the perfect choice. The place is so beautiful (like the two of them) and offered great memories as well as many choices for subject matter.
So here are my paintings of the Brewster beach. This was one of those rare times that low tide coincides with sunset and the flats reflect the light in all it's glory.
It is a cosmic experience-same night, same beach, two different views. My daughter suggested they could trade the paintings back and forth or even take turns hanging them together. I hope that they bring joy for years to come.
Filoli Rose
I choose to paint looking into the rose itself with it's varying shades of pinks and peach hues and it's highlights and shadows. I cropped it to focus on that particular aspect rather than the shape of the entire rose itself. It was challenging to try and capture the feeling of depth and the curling petals. In the end, it was rewarding to have a little bit of Filoli on my canvas.




